Press, pre-orders and comicons

My month of comics overdrive is coming to an end, but I’ve got not intention of slowing down.

The Heads! Kickstarter has funded – thank you to all backers and everyone who has helped promote it. It’s been sent out to the mighty Comics Printing UK who is busy turning it into a sexy, physical product. I can’t say enough good things about Rich at Comics Printing UK, and I know that the print quality of the comic is going to be just as awesome as the other books he’s done for me and numerous other comics creators.

Those of you who are kicking yourself for missing out on the Kickstarter will be pleased that I have added a pre-order for it to my store. You can also get hold of the first issue of Heads! if you are a newbie to the story.

If you need convincing to try it out, here’s a review of the first comic from Pipedream Comics. I was very pleased with this write up by James Blundell, who really got into the story and enjoyed the mystery I’ve established.

My son and I are very nearly finished with our Little Heroes comics submission. It’s been loads of fun and we’re both really happy with how its coming together. We have a very tight deadline to meet now and still some tweaks to make, but we are working hard to get it all done in time and to the quality we want it to be at. Watch this space for more details soon…

If you are in Brighton on Saturday 9 March come down and join me at ICE Comic Con. This will be my first event of 2019 and there are some fantastic guests and exhibitors there, such as Rachael Smith, David Broughton, Clint Langley and Ram V to name a few. See you there!

Sensory overload

Currently I am…

  • Reading: Everville by Clive Barker
  • Watching: Charmed Season 5
  • Listening to: Rust by Monolord

 

February comics overdrive

Well, February is shaping up to be one of the busiest comics months for me this year. Yes, I know it’s a bit soon to say that, but just look at what I have on the go.

Heads! Into The Vortex is up on Kickstarter until 15 February (in case you hadn’t seen me plugging it to death). I’m proud to say it has hit its funding target so it’s all systems go on getting it ready for all you lovely backers. Now is the best time to back the comic, as all rewards are guaranteed to be fulfilled. There are comic universe bundles, print and digital editions, original art packages and commissions available, so go fill your boots! If you aren’t able to back the campaign I’d massively appreciate you sharing the link with your friends and followers. This will help new people discover my work and is a great way to reach potential new readers. Big thanks to everyone who has backed it, shared it or a bit of both already.

In preparation for the campaign I did an interview with the mighty Richard Sheaf of Boys Adventure Comics. Richard is a huge supporter of the indie comics scene, so it’s a privilege to have him take such an interest in my work. You can read the interview on his blog. While you are there I urge you to check out his other articles and subscribe, as it’s an excellent source of comics news and info.

img_20181220_080956743306259.jpg

When talking to Richard, he asked me about the piece I’m producing for Little Heroes Comics new anthology. If you haven’t heard of them, Little Heroes is a charity which makes comic creation kits for kids staying in hospital. This is such a fantastic cause and I’m a big supporter of what they do. Each year they produce a themed anthology and this year’s theme is science. As comics fans and science fans, me and my son Dylan heard this news and immediately set about working on a short comic together. The submission date is 28 February, so we haven’t got long to pull it off. Dylan wrote the script and I am drawing it, plus we have the help of designer extraordinaire Ken Reynolds on lettering duties. I’ll post a separate article about our creative process soon, but in the meantime, here’s a sneak peek at the work in progress.

As if all this wasn’t enough, I’m finishing off art for the third Heads! comic, which will be out later this year. Plus, I’ve already made a start on the script for the fourth one! I’m having an absolute blast creating Heads! and I just want to get more and more of it out there.

screenshot_20181128-232809275329434.jpg

Finally, I’m prepping for ICECOMICCON in Brighton on 9 March. The line-up is stellar and I’m looking forward to catching up with David Broughton and meeting loads of other fellow comics creators. So yeah, February is pretty mental. I’ll need a pint by the time I get to ICE so if you see me at the bar afterwards feel free to join me!

Heads! Into The Vortex is LIVE on Kickstarter!

BACK IT NOW ON KICKSTARTER!

I launched the campaign this week, and at the point of writing this post it is already 50% funded! The campaign ends on 15 February so if you want to be among the first to get hold of the new issue you haven’t got long to do so.

For Heads! newbies there are reward options which include the first issue, and one that gives you Rock In Purgatory as well. This issue introduces villain group Vortex Face, who made their first appearance in Rock In Purgatory in 2018.

Prices start at just £1, so head over to the Kickstarter campaign and back it NOW!

Awesome digital comics bundle for 2019

Let’s kick off the new year with some bargain comics!

I’ve just launched a digital bundle of Heads! and Rock In Purgatory for just £1.50. You can jump right into both books foress than the price of a coffee.

Both books were published in 2018 and since I have more books due out this year I thought it was a good time to put a bundle together. So if you love horror, sci-fi, comedy, noir or (most importantly) comics, get over to my store and get yourself a bundle now!

Motivational sharing

End of the year has rolled round and I’m enjoying several large brandies each day, might even break out the cigars. In an odd turn of events, despite a very positive and productive first ten months of the year, the end has been quite frustrating for me in respect of keeping the momentum up.

When I posted back in November I wrote about finding ways to get out of a slump. This did work for a bit and to be honest the more recent weeks have been under productive due to lack of opportunity to dedicate time and focus to finishing page art off. Whenever I have had the chance, its been great, and looking back on the sparse amount of work I’ve produced this month, I’m really pleased with what I’ve come up with.

Sometimes you just need as bit of a random boost to keep you moving though. I was lucky enough to have that just the other day. I was drawing Heads! pages and panels in one of my regular coffee shops and a new barista saw my work. She came over for a really quick chat, saying how she liked the stuff I was drawing, that she’s a huge comics reader and loved the fact that I was sitting there, where she works, drawing comics. I gave her a business card and a fist bump and carried on mainlining espresso and churning out art but with a bit more of a motivated buzz.

It occurred to me that I’d got into a bit of a vicious loop; by not having much chance to draw I also hadn’t shown anyone my work lately, spoken to anyone about it or posted updates online. As such, no-one was talking to me about it. I don’t expect people to be waiting with baited breath for my next issue, but like anything if you don’t mention it then less people ask you about it. Because of that I felt kind of isolated in my work, and therefore didn’t feel like anyone would care to listen if I talked about it. So the little I was able to do seemed all the more less.

That quick encounter over coffee was enough to remind me that there are two reasons I create comics:

  1. I want to do it
  2. I want to share it with people

It’s the same with writing and playing music as well. I love the music I play and I want to play it for people so that they can enjoy it too.

In the spirit of sharing (and it is Christmas after all), I’ve decided to give away Heads! issue one as a digital download until New Years Eve. The next issue drops in early 2019, with issue three in autumn, so get clued up now and join the party. If you like what you read it would be awesome if you would buy a print copy.

Download Heads! for FREE

Buy a copy of Heads!

Popcorn Horror interview

Back in October Craig Jex did an interview with me for the Halloween edition of Popcorn Horror magazine. For those that missed it and for Heads! newbies who want to know more, here’s that interview in full.

Independent comic creator, Rik Jackson has had quite the eventful year. Fans of his comic strip, Rock In Purgatory, featured in these very blood drenched pages of Popcorn Horror were able to get their claws on the anthology which was published in early 2018. Unlike the characters in those rock ‘n roll pages, Rik didn’t bathe himself in the glory that his work enjoyed and end up on a path of self-destruction and grisly death. Instead, he got straight back in the saddle and created Heads!

Heads! tells the story of Private Detective Steve Datsun. An investigator that’s seen it all before, that is until these girls with those heads turn up. After a being hired to investigate a heist that the Heads! gang have pulled off, Datsun becomes embroiled in a dark world of paranormal crimes, unexplained phenomenon and twisting conspiracies. Seeking the evidence he needs to prove these anomalies and reveal what’s behind them, Datsun ends up much closer to the very unpleasant truth than he would have liked. Whether he will emerge with his reputation and his sanity intact remains to be seen, but if the story so far is anything to go by, it’s going to be one hell of a ride to find out.

Heads! is a departure from the anthology format you found successful with Brutal Bombshells and Rock In Purgatory. What made you decide to go down the serial route?

I’ve wanted to write an ongoing comic for a while, and have actually had Heads! in the pipeline for a couple of years now. Creating short-from comics has been really helpful for my visual storytelling skills, which I’ve made great use of when drawing Heads! The idea of a longer story was very daunting – especially one as ambitious as Heads! – so I decided to break it into parts instead. Heads! will be published as contained mini-series of five or six issues, each series wrapping up a particular story arc while paving the way for the next part of the story. This made it much easier for me to plan out and structure.

I’ve enjoyed working on the first few issues so far and like having the freedom to draw certain elements out for longer. This is something that I could never do with Rock In Purgatory and its great to be able to build more suspense and develop characters thoroughly.

It is clear from the first issue of Heads! that you have taken influence from different genres rather than the blood and guts you’re usually associated with. Were you getting tired of the gore or did you want to challenge yourself with a new direction?

Not at all – I don’t think I’ll ever get bored of some good old fashioned slasher style horror! I’m keeping my hand in on the horror stuff by working with Ken Wynne to create Unfortunate Tales from Plant B for his website Attack From Planet B. However, with Heads! I did want to take things in a less overt direction. Heads! is much more creeping and sinister, with both real crime and fantasy crime, giving me an opportunity to pull at different strings. There will be some X-Files-style scares as much as there will be unnerving crime thriller moments that you’d associate with shows like Luther. I wanted to give Heads! the chance to delve into different genres, and as a result I think I’ve got a comic series that will be entertaining to a number of audiences.

I got the impression that Heads! is very noir with possible sci-if influences. Can you tell your fans how the idea of Heads! came about?

I first sketched one of the Heads! gang after seeing a half finished shop window display. It had three female mannequins with large placeholder polystyrene balls for the heads and hands. I played around with the sketches a bit and thought it would be cool to combine this type of look with a Dick Tracy-style detective. It fitted nicely with my B-movie tastes, as there are a lot of possibilities as to what could be under the masks. I realised this was something that could lead to a longer story and if I threw in some other characters to give it more depth that there was a chance I could add some conspiracy elements to it. What if Datsun was the only person who knew about these girls? What if he was the only one who ever saw the other strange happenings? So I read a load of comics like Dick Tracy and Blacksad to get my head around detectives and watched things like They Live and The X-Files to get me thinking about how to put sci-fi horror into a conspiracy story. After that I had so many ideas for where to take Heads! and I’ve been trying to incorporate as many of them as I can ever since.

Heads Ep1 - Cover

Some of the dialogue is very old school, South London sounding. Is that something you were going for? What do you think your non-British readers will make of Private Detective Steve Datsun and his colourful words and phrases?

It’s very much a conscious decision. I didn’t want to go too clichéd cockney, but Datsun is a south London man who doesn’t mince his words, so the dialogue had to reflect that. Datsun is quite a complex character who presents a lot of conflicting morals, much like a real person. He’s neither hero not anti-hero, he is just a man who does his best, makes mistakes and gets on as best he can. As such, I wanted him to feel as real as possible in the fictional world I am building. Being a south Londoner myself, it made sense to me to base Datsun’s dialogue and phrasing on how my friends and I speak to each other. There’s a lot of friendly piss-taking, swearing and slang. It seems to be going down well overseas though. I’ve had some great responses from US readers who absolutely love how he speaks. Phrases like ‘toerag’ and ‘lets have a butchers’ are particularly popular!

Brutal Bombshells you commissioned me to write the scripts and with Rock In Purgatory you successfully combined both your illustrative and writing talents to come up with some fantastic one off stories. How did you find the challenge of writing Heads?

The planning and length was difficult to work out at the start, which is why I settled on this being a series of mini-series. Even that is a challenge, as I have a lot to cram in while keeping it interesting. Actually, the hardest part has been making the art flow well to retain the reader’s interest, as a lot of Heads! is just two or three people having conversations. At this point in the story it’s about building characters and setting the scene. I needed to do that well but also make sure that each issue is a captivating read. I’ve delved into using subtle imagery a lot more with Heads! than in anything else I’ve done and I think it’s paying off. I’ve just finished the art for issue two, but there was a scene that really held me back. Datsun and his partner Higgins are having a phone conversation about a lot of essential plot points. It’s a key scene but with them on the phone they can’t even interact with each other! It took me a while, but I finally nailed it but having then doing two distinctly different things during the conversation, adding in some unusually focused illustrations which hint at a connections between the plot points. Now I have it finished I love the scene. Though there’s better scenes for action and excitement, it’s definitely the most important scene of that issue. I imagine these will continue to be the things that are hardest to do. That and editing all the pages for publishing, which drives me mental!

Can you tease your readers with what to expect in future issues?

The first series will showcase the Heads! gang and introduce a number of key characters as well as tons of false one – I’ve got more red herrings than a fish monger! There’s a skull faced murderer stalking the streets, a dirty gangster who likes to dispose of his enemies by drowning them in filth encrusted toilet bowls and plenty of other nasty criminals to make you fear going out alone at night. I’m also bringing back Vortex Face, the demonic soul-sucking doom metal band featured in Rock In Purgatory. I felt like I’d only scratched the surface of the possibilities for them so I’ve put them front and centre as a major plot mechanism, using their origin in Rock In Purgatory as a lead in. All the crimes Datsun faces have a paranormal streak to them, but there’s also a lot of science and logic behind them, meaning it’s down to the reader to decide whether Datsun is right that things are extraordinary or whether they side with Higgins, his sidekick and voice of reason.
If you love good mystery, a suspenseful thriller or a scary sci-fi B-movie then you’ll find something exciting and entertaining Heads!
I have some very grand plans for future series, but I’m keeping them under my hat for now…

What does the future have in store for you? Obviously more issues of Heads! are coming our way. Do you have any other projects in the pipeline?

Yes, more Heads! is just around the corner. Issue two is due out just after Christmas and I’m writing and drawing issue three now, ready for a spring release. Unfortunate Tales is due to continue and I’m talking to Ken about the possibility of another horror comic project as well. I’ve got a load of other comics ideas in mind which I hope to get started on toward the end of the year. The first of these is likely to be Tomato Latte, a teen slasher comic based around New Years Eve in 1999, very much in the vein of movies like Urban Legend and Cry Wolf. Plus I‘m always open for commissions, so if you fancy a unique piece of custom art, just get in touch!

sitead

Twelve months in comics

This time last year I was happily relaxing after successfully running Wimbledon Comic Art Festival. That event actually marked the start of 12 months of comic awesomeness for me. Here’s what I managed to get up to in that year.

Wimbledon Comic Art Festival

2018-3Running this event was a big deal for me and I was so pleased that it went so well. I’d wanted to put on an indie comics event in Wimbledon for ages, so to have twenty amazing creators tabling at my event was humbling. Hosted at Merton Art Space, I secured the venue by exciting the Head of Libraries and Heritage in Merton with my plans for the day and I even managed to convince the Deputy Mayor to open it with me. I tried my best to mix the content up so that newbies to comics could come and discover that its not all just about muscles and spandex. David Broughton kept the 2000AD crowd happy, Matt Garvey had something for everyone, Gareth Hopkins introduced people to abstract comics, Inko and Vam Nim represented manga, Richy Chandler had some wonderful kids comics and the Awesome Comics Podcast extolled the virtues of all things indie. It was knackering, but I loved it!

Rock In Purgatory

01-FRONT-COVERI was trying to launch Rock In Purgatory at the same time as running WCAF, so understandably I couldn’t manage both. In the end, I released Rock In Purgatory in spring 2018, pleasing its fans by collecting the horror comedy strip as a parody music magazine. I threw in a poster pull out, fake gig ads, instrument endorsements and articles about the bands that inspired the strip. At 48 pages, this is not just my debut solo comic release but also the biggest thing I have created to date. I’m really pleased with this comic and was ecstatic when it sold out at MCM this year (more on that later).

Unfortunate Tales

DVwnX4xW4AAm7cH.jpg largeProving that networking works, be it online or face to face, in the wake of Rock In Purgatory finishing its run in Popcorn Horror, I was asked by Ken Wynne of Attack From Planet B to take on art duties for his webcomic Unfortunate Tales From Planet B. Each strip features a re-working of a classic VHS horror movie scene, but with little links which take you from one strip to the next. Even I’m not sure where Ken is taking this narrative, but its been an absolute pleasure so far to draw loads of garish horror comics!

Heads!

menu 1Having ruminated on Heads! for nearly two years I finally took the plunge and began drawing my first issue based series as soon as WCAF was over. My plan had been to be able to release issues in farily quick succession by indie standards, which was quite a goal to set for myself. As with Rock In Purgatory, Heads! is created, written and illustrated by me. That includes colours. And editing. And lettering. And compiling for print. And marketing. So I changed my creation process to see what I could do to speed things up without compromising on quality. The distinct difference with Heads! is that I create the pages at actual size, so the only editing I do is to correct a mistake if I find one. It means I can carry pages around with me anywhere, as I’m working on A4 britsol board. I can draw pages anywhere and anytime. And with the scale being 1:1 there is less to draw. I’ve had to adapt to that the most, as some of my page layouts have slightly less panels than I would put in if I was drawing detail at a larger scale, but its actually helping me get better at the amount of detail I can put into a panel.

Issue one was released in September 2018, but by this point I had already completed the art in issue two and had begun to draw issue three. Ideally, I would have loved to have had three issues fully drawn inside of a year, but life gets in the way sometimes. However, I’m proud of the fact that I’ve achieved two and a half issues in a year, which means I can still release three issues within a year. Hopefully by then the next two and a half will be ready so that I can keep up the regularity.

MCM

I closed of my year of comics by tabling at MCM London for the first time. It was a great experience and I’ll be back next year for sure. I officially launched Heads! to the masses at the event and loved being able to get people as excited about as I am. If you are interested in reading more about that event read my previous blog about it.

Now I’m heading into a new period of comic creation and promotion. Besides Heads! issues two and three plus loads more events, I have new projects that I want to get started with. Will I achieve more in the next twelve months than in the last? Stay tuned to find out….

Guitars are cool and everyone is called Chris

Having never done an MCM before (nor ever having been to the ExCel) it’s fair to say my first one was nothing like I imagined it would be. I’ve tabled at comic cons, run comic cons and been part of various events in the past, but MCM was quite unique.

A massive venue filled with so much stuff for three long solid days is quite tiring to think about, let alone be involved in. Luckily I had enlisted horror writer Craig Jex to help me out for the weekend so I had someone to hang out with and hold the fort while I went for a wander. But first, we needed to set up.

I found Comic Village and was enormously pleased to discover it was not in a hall of its own. I think I’d drawn this conclusion because there’s so many things going on that I assumed we’d be tucked away in a separate room. But MCM is all open plan, allowing punters to walk through everything unencumbered. Though I am sure many people never ventured over to Comic Village, there were plenty of people who don’t normally read comics that did come by, take a look and have a chat with creators.

img_20181026_085720675023229.jpg

Once me and Craig had set up and met our table neighbours (the über talented Mr Picto and Yannis Rubbis) we were ready for action. I’d brought my SG to display Rock In Purgatory and unveiled the characters from Heads! who I’d had made as models for the table. I hoped that these unique elements would help start conversations and get people interested in my comics. This really did help get some people over who may have missed out otherwise, and as a result I actually sold out of Rock In Purgatory half way through day two! I spent a lot of time talking guitars with people, which was really nice; it turns out a lot of rock and metal guitarists love comics as much as me too. Heads! captured imaginations as well and the unofficial launch of the book went really well. I was surprised at some of the people who did and didn’t take a punt on it, so I’ll certainly be hearing that in mind when I start marketing it again in due course. Talking to comics fans what makes these events worthwhile. It’s all well and good tweeting away all day and having a bit of online banter, but actual face to face conversation makes such a difference in getting my comics across to people and seeing what really excites them about my work. Oddly, almost all of the men who introduced themselves to me were called Chris, which at least made it easy to say hello to them again when I saw them the following day.

I managed to escape from the table plenty thanks to Craig and got to experience the rest of the show. I saw a horror panel, failed to meet some cool guests due to timing (but did wave to Amanda Conner) and got lost amongst various awesome trader stalls many times. I got round Comic Village and met some great people. I finally met Ken Reynolds in person, ran into Wimbledon Comic Art Festival exhibitors Richy Chandler and Silvia Carrus, traded abuse with Matt Garvey (obvs), and drank far too much coffee with Josh Harris.

By the end of the event I was knackered, but really pleased to have unleashed my comics on so many new people. And I had two really wonderful high points. Firstly, a fella came over to buy a copy of Rock In Purgatory because he’d been following it online. This one person who knew my work and sought it out really made the weekend for me. Great as it is to find new readers, it’s the first time someone I have never met has tracked me down to get one of my comics, so this meant a lot. Secondly, apropos of nothing Ken Reynolds told me how much he thought my art had levelled up lately. I agree – I’ve been looking back on older stuff and am really proud of how my current work is looking, so it was fantastic to know that someone as talented at Ken not only acknowledged this but has been watching me develop as well. Cheers Ken!

Those of you who were following my antics on Twitter will know I also spent all weekend tallying up the various cosplayers I fist bumped. That was a good laugh, so here’s the list of everyone I got:

  • Harley Quinn (loads of them!)
  • Starlord
  • Blacksad
  • Hellboy
  • Dick Tracy
  • Michael Myers
  • Frank from Donnie Darko
  • Amanda from SAW
  • John Constantine
  • Doctor Who mistaken for John Constantine
  • Bloodshot
  • Rocketeer
  • Preacher
  • Thanos
  • Ghost Rider

What I did while you were at Thought Bubble

I wasn’t at Thought Bubble celebrating the awesomeness of comics with the vast majority of the UK indie comics scene. But rather than dwell on what I missed (which looks to have been pretty amazing, judging by everyone’s updates), I got stuck into doing loads of comic-related stuff myself.

IMG_20180917_153929.jpg

Orbital Comics now stocking my titles

I was really pleased to deliver Heads! and Rock In Purgatory stock to the wonderful people at Orbital Comics in London’s Leicester Square. A beaocn for London’s comic crowd, Orbital is a brillant store whatever your comic book tastes. There is an entire small press and indie section of the shop, and I’ve managed to pick up some awesome titles there, such as Chunks by Matt Garvey, Bubbles O Seven from Bounce Comics and Katzine by Katriona Chapman. I love the fact that my books are now sharing shelf space with these kind of titles, and I hope that it helps to get my work in front of new readers. If you have a pull list at Orbital, or happen to be popping by for a comic fix please check out the indie section and pick up something new.

Heads! issue two….and three!

Heads! issue one is still warm from the presses and already my plans for the next issue are well in hand. All the art and editing is done, and I spent some time at the weekend starting the lettering. However, I put more effort into the art for issue three, which is already taking shape really well. The first three issues of the series will weave lots of mystery and delve into the character development of the main cast. I am also bringing Vortex Face into the mix. Rock In Purgatory fans will be familiar with Vortex Face, and will be pleased to hear their appearance in Heads! continues on from their origin. How do I managed to get a soul sucking doom metal band into the Heads! mix? You’ll have to stay tuned to find out!

Interview in Popcorn Horror

I finished off my interview with horror magazine Popcorn Horror. You can get hold of their double length Halloween issue in October (follow @PopcornHorror on Twitter for updates). I was interviewed by horror writer Craig Jex for a piece about Heads! and my future comics project. The Halloween special has some great articles and a hellish cover by Chris Barnes of Brutal Posters, so its well worth checking out.

Green Lantern and Dick Tracy

I also caught up on some regular comics and grabbed some new ones. I’m all in awe of Dan Jurgens current run on Green Lanterns right now. I’m a big Lanterns fan and love where this story arc is going. Having Cyborg Superman taking over the power battery is a great idea, and the planning behind the coup is being excellently executed.
I also picked up the new Dick Tracy comic from IDW. I haven’t have a chance to read it properly yet, but it looks like a brilliant addition to the Tracy line and has gone straight on my pull list.

Focus – a tale of marketing vs creating

I’ve been a bit pre-occupied with promo activities over the last few weeks. Nothing wrong with that; it’s probably one of the reason you’re reading this blog. While marketing and creating are rather different animals, both are essential to getting a comic out into the wilderness. Finding the balance between the two is probably the trickiest bit.

The biggest thing for me right now is Heads! being published. I’m really pleased to have print copies in my hands and available for you all. Heads! is my first attempt at a logn-form comics story and this first issue will form part of the first story arc in what I hope will be a fairly long running series.

I’d always planned to do Heads! as an ongoing story, to some extent. The logisitics of creating it and keeping people interested had me change my approach a couple of times, so now it’s going to be a set of mini-series which build toward the final climax. I’m also trying to get ahead of the curve on creating it all so that I can release fairly regularly. Ideally, I want to get a new issue out every four months. So far, issue two looks ready to hit that deadline, but the marketing and promotion of issue one has eaten into my time quite a lot. However, it’s not just writing anf drawing each issue that needs to happen. I need to promote, market and sell the buggers, which takes a considerable amount of energy and resilience.

There’s a lot to be said about getting the creative / promotional balance right. As I have found when I put on Wimbledon Comic Art Festival last year (and prior to that in my music promotion past life) its hard to do both really well at the same time. Both require a lot of time, effort and – most importantly – focus. Since the start of August I’ve been pushing the release of Heads! a lot. Though it’s been really worthwhile in getting the comic out there and building a buzz around the release, its meant I have focused a lot less on drawing and writing than I would have liked to lately.

My plan for the next few weeks is to get solidly back into the creative process and let some of the marketing I’ve done look after itself. I have a few interviews and reviews being released over autumn, so other than my usual incessant tweeting I’ll be leaving the promo stuff alone until I get to MCM London at the end of October.

That said…if you do fancy buying a copy of Heads! you can get print or digital editions from my online store.

OK…I’ll stop now…