Awesome digital comics bundle for 2019

Let’s kick off the new year with some bargain comics!

I’ve just launched a digital bundle of Heads! and Rock In Purgatory for just £1.50. You can jump right into both books foress than the price of a coffee.

Both books were published in 2018 and since I have more books due out this year I thought it was a good time to put a bundle together. So if you love horror, sci-fi, comedy, noir or (most importantly) comics, get over to my store and get yourself a bundle now!

Popcorn Horror interview

Back in October Craig Jex did an interview with me for the Halloween edition of Popcorn Horror magazine. For those that missed it and for Heads! newbies who want to know more, here’s that interview in full.

Independent comic creator, Rik Jackson has had quite the eventful year. Fans of his comic strip, Rock In Purgatory, featured in these very blood drenched pages of Popcorn Horror were able to get their claws on the anthology which was published in early 2018. Unlike the characters in those rock ‘n roll pages, Rik didn’t bathe himself in the glory that his work enjoyed and end up on a path of self-destruction and grisly death. Instead, he got straight back in the saddle and created Heads!

Heads! tells the story of Private Detective Steve Datsun. An investigator that’s seen it all before, that is until these girls with those heads turn up. After a being hired to investigate a heist that the Heads! gang have pulled off, Datsun becomes embroiled in a dark world of paranormal crimes, unexplained phenomenon and twisting conspiracies. Seeking the evidence he needs to prove these anomalies and reveal what’s behind them, Datsun ends up much closer to the very unpleasant truth than he would have liked. Whether he will emerge with his reputation and his sanity intact remains to be seen, but if the story so far is anything to go by, it’s going to be one hell of a ride to find out.

Heads! is a departure from the anthology format you found successful with Brutal Bombshells and Rock In Purgatory. What made you decide to go down the serial route?

I’ve wanted to write an ongoing comic for a while, and have actually had Heads! in the pipeline for a couple of years now. Creating short-from comics has been really helpful for my visual storytelling skills, which I’ve made great use of when drawing Heads! The idea of a longer story was very daunting – especially one as ambitious as Heads! – so I decided to break it into parts instead. Heads! will be published as contained mini-series of five or six issues, each series wrapping up a particular story arc while paving the way for the next part of the story. This made it much easier for me to plan out and structure.

I’ve enjoyed working on the first few issues so far and like having the freedom to draw certain elements out for longer. This is something that I could never do with Rock In Purgatory and its great to be able to build more suspense and develop characters thoroughly.

It is clear from the first issue of Heads! that you have taken influence from different genres rather than the blood and guts you’re usually associated with. Were you getting tired of the gore or did you want to challenge yourself with a new direction?

Not at all – I don’t think I’ll ever get bored of some good old fashioned slasher style horror! I’m keeping my hand in on the horror stuff by working with Ken Wynne to create Unfortunate Tales from Plant B for his website Attack From Planet B. However, with Heads! I did want to take things in a less overt direction. Heads! is much more creeping and sinister, with both real crime and fantasy crime, giving me an opportunity to pull at different strings. There will be some X-Files-style scares as much as there will be unnerving crime thriller moments that you’d associate with shows like Luther. I wanted to give Heads! the chance to delve into different genres, and as a result I think I’ve got a comic series that will be entertaining to a number of audiences.

I got the impression that Heads! is very noir with possible sci-if influences. Can you tell your fans how the idea of Heads! came about?

I first sketched one of the Heads! gang after seeing a half finished shop window display. It had three female mannequins with large placeholder polystyrene balls for the heads and hands. I played around with the sketches a bit and thought it would be cool to combine this type of look with a Dick Tracy-style detective. It fitted nicely with my B-movie tastes, as there are a lot of possibilities as to what could be under the masks. I realised this was something that could lead to a longer story and if I threw in some other characters to give it more depth that there was a chance I could add some conspiracy elements to it. What if Datsun was the only person who knew about these girls? What if he was the only one who ever saw the other strange happenings? So I read a load of comics like Dick Tracy and Blacksad to get my head around detectives and watched things like They Live and The X-Files to get me thinking about how to put sci-fi horror into a conspiracy story. After that I had so many ideas for where to take Heads! and I’ve been trying to incorporate as many of them as I can ever since.

Heads Ep1 - Cover

Some of the dialogue is very old school, South London sounding. Is that something you were going for? What do you think your non-British readers will make of Private Detective Steve Datsun and his colourful words and phrases?

It’s very much a conscious decision. I didn’t want to go too clichéd cockney, but Datsun is a south London man who doesn’t mince his words, so the dialogue had to reflect that. Datsun is quite a complex character who presents a lot of conflicting morals, much like a real person. He’s neither hero not anti-hero, he is just a man who does his best, makes mistakes and gets on as best he can. As such, I wanted him to feel as real as possible in the fictional world I am building. Being a south Londoner myself, it made sense to me to base Datsun’s dialogue and phrasing on how my friends and I speak to each other. There’s a lot of friendly piss-taking, swearing and slang. It seems to be going down well overseas though. I’ve had some great responses from US readers who absolutely love how he speaks. Phrases like ‘toerag’ and ‘lets have a butchers’ are particularly popular!

Brutal Bombshells you commissioned me to write the scripts and with Rock In Purgatory you successfully combined both your illustrative and writing talents to come up with some fantastic one off stories. How did you find the challenge of writing Heads?

The planning and length was difficult to work out at the start, which is why I settled on this being a series of mini-series. Even that is a challenge, as I have a lot to cram in while keeping it interesting. Actually, the hardest part has been making the art flow well to retain the reader’s interest, as a lot of Heads! is just two or three people having conversations. At this point in the story it’s about building characters and setting the scene. I needed to do that well but also make sure that each issue is a captivating read. I’ve delved into using subtle imagery a lot more with Heads! than in anything else I’ve done and I think it’s paying off. I’ve just finished the art for issue two, but there was a scene that really held me back. Datsun and his partner Higgins are having a phone conversation about a lot of essential plot points. It’s a key scene but with them on the phone they can’t even interact with each other! It took me a while, but I finally nailed it but having then doing two distinctly different things during the conversation, adding in some unusually focused illustrations which hint at a connections between the plot points. Now I have it finished I love the scene. Though there’s better scenes for action and excitement, it’s definitely the most important scene of that issue. I imagine these will continue to be the things that are hardest to do. That and editing all the pages for publishing, which drives me mental!

Can you tease your readers with what to expect in future issues?

The first series will showcase the Heads! gang and introduce a number of key characters as well as tons of false one – I’ve got more red herrings than a fish monger! There’s a skull faced murderer stalking the streets, a dirty gangster who likes to dispose of his enemies by drowning them in filth encrusted toilet bowls and plenty of other nasty criminals to make you fear going out alone at night. I’m also bringing back Vortex Face, the demonic soul-sucking doom metal band featured in Rock In Purgatory. I felt like I’d only scratched the surface of the possibilities for them so I’ve put them front and centre as a major plot mechanism, using their origin in Rock In Purgatory as a lead in. All the crimes Datsun faces have a paranormal streak to them, but there’s also a lot of science and logic behind them, meaning it’s down to the reader to decide whether Datsun is right that things are extraordinary or whether they side with Higgins, his sidekick and voice of reason.
If you love good mystery, a suspenseful thriller or a scary sci-fi B-movie then you’ll find something exciting and entertaining Heads!
I have some very grand plans for future series, but I’m keeping them under my hat for now…

What does the future have in store for you? Obviously more issues of Heads! are coming our way. Do you have any other projects in the pipeline?

Yes, more Heads! is just around the corner. Issue two is due out just after Christmas and I’m writing and drawing issue three now, ready for a spring release. Unfortunate Tales is due to continue and I’m talking to Ken about the possibility of another horror comic project as well. I’ve got a load of other comics ideas in mind which I hope to get started on toward the end of the year. The first of these is likely to be Tomato Latte, a teen slasher comic based around New Years Eve in 1999, very much in the vein of movies like Urban Legend and Cry Wolf. Plus I‘m always open for commissions, so if you fancy a unique piece of custom art, just get in touch!

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Twelve months in comics

This time last year I was happily relaxing after successfully running Wimbledon Comic Art Festival. That event actually marked the start of 12 months of comic awesomeness for me. Here’s what I managed to get up to in that year.

Wimbledon Comic Art Festival

2018-3Running this event was a big deal for me and I was so pleased that it went so well. I’d wanted to put on an indie comics event in Wimbledon for ages, so to have twenty amazing creators tabling at my event was humbling. Hosted at Merton Art Space, I secured the venue by exciting the Head of Libraries and Heritage in Merton with my plans for the day and I even managed to convince the Deputy Mayor to open it with me. I tried my best to mix the content up so that newbies to comics could come and discover that its not all just about muscles and spandex. David Broughton kept the 2000AD crowd happy, Matt Garvey had something for everyone, Gareth Hopkins introduced people to abstract comics, Inko and Vam Nim represented manga, Richy Chandler had some wonderful kids comics and the Awesome Comics Podcast extolled the virtues of all things indie. It was knackering, but I loved it!

Rock In Purgatory

01-FRONT-COVERI was trying to launch Rock In Purgatory at the same time as running WCAF, so understandably I couldn’t manage both. In the end, I released Rock In Purgatory in spring 2018, pleasing its fans by collecting the horror comedy strip as a parody music magazine. I threw in a poster pull out, fake gig ads, instrument endorsements and articles about the bands that inspired the strip. At 48 pages, this is not just my debut solo comic release but also the biggest thing I have created to date. I’m really pleased with this comic and was ecstatic when it sold out at MCM this year (more on that later).

Unfortunate Tales

DVwnX4xW4AAm7cH.jpg largeProving that networking works, be it online or face to face, in the wake of Rock In Purgatory finishing its run in Popcorn Horror, I was asked by Ken Wynne of Attack From Planet B to take on art duties for his webcomic Unfortunate Tales From Planet B. Each strip features a re-working of a classic VHS horror movie scene, but with little links which take you from one strip to the next. Even I’m not sure where Ken is taking this narrative, but its been an absolute pleasure so far to draw loads of garish horror comics!

Heads!

menu 1Having ruminated on Heads! for nearly two years I finally took the plunge and began drawing my first issue based series as soon as WCAF was over. My plan had been to be able to release issues in farily quick succession by indie standards, which was quite a goal to set for myself. As with Rock In Purgatory, Heads! is created, written and illustrated by me. That includes colours. And editing. And lettering. And compiling for print. And marketing. So I changed my creation process to see what I could do to speed things up without compromising on quality. The distinct difference with Heads! is that I create the pages at actual size, so the only editing I do is to correct a mistake if I find one. It means I can carry pages around with me anywhere, as I’m working on A4 britsol board. I can draw pages anywhere and anytime. And with the scale being 1:1 there is less to draw. I’ve had to adapt to that the most, as some of my page layouts have slightly less panels than I would put in if I was drawing detail at a larger scale, but its actually helping me get better at the amount of detail I can put into a panel.

Issue one was released in September 2018, but by this point I had already completed the art in issue two and had begun to draw issue three. Ideally, I would have loved to have had three issues fully drawn inside of a year, but life gets in the way sometimes. However, I’m proud of the fact that I’ve achieved two and a half issues in a year, which means I can still release three issues within a year. Hopefully by then the next two and a half will be ready so that I can keep up the regularity.

MCM

I closed of my year of comics by tabling at MCM London for the first time. It was a great experience and I’ll be back next year for sure. I officially launched Heads! to the masses at the event and loved being able to get people as excited about as I am. If you are interested in reading more about that event read my previous blog about it.

Now I’m heading into a new period of comic creation and promotion. Besides Heads! issues two and three plus loads more events, I have new projects that I want to get started with. Will I achieve more in the next twelve months than in the last? Stay tuned to find out….

A (Un)fortunate Tale of art direction

The new Unfortunate Tales script landed in my inbox at the weekend. For those that don’t already know about it, Unfortunate Tales is a webcomic published on the Attack From Planet B website. It’s written by AFPB main man Ken Wynne and I do the art for it. Each strip riffs off of a different horror movie concept, with each strip linking subversively to the next. This edition takes on Return Of The Living Dead, having jumped from a reference in the previous Street Trash inspired strip.
Other than being a great little strip to work on, it’s an excellent opportunity try out new things. Ken’s scripts are particularly detailed for such short pieces and it forces me to very quickly learn how to draw things I haven’t drawn before or tackle compositions that I wouldn’t have come up with myself. This script presented a compositional problem, so for the first time in this working relationship I needed to negotiate how we produce it.

Ken’s original script describes a front facing one point perspective layout. The direction makes sure all the details are captured, but when it came to drawing this I found the camera angle to be very restrictive. Unfortunate Tales is exclusively produced with square panels. The layout Ken described called for a focal character at the front standing with legs apart so that we can see characters visible in the mid-ground. There is then a background layer with a suggestion of activity. In a wider panel, this may have been good, but we can’t change the panel shape. If I could crop to just knees down on the foreground character we could see more detail, but it is essential that we see all of the foreground character in full. So I was limited to roughly this layout:

I decided to try out a few different variants and eventually settled on tracking the camera around to the right, keeping the foreground character in full and in front of the panel, but now off to the left. The mid-ground character remain in the mid-ground, but I can come closer to them, showing more detail. And the activity in the background now appears directly behind them, adding a bit more urgency to their predicament:

I pitched this to Ken to get his take on this and he appreciated what I’d done. Once he saw the two compared to each other he felt that the side angle helped to show off more of what he wanted in the strip. So we went with this layout, and I am now working up the pencils for it. The last time I had to negotiate on scripts and layouts with a writer was when I drew Brutal Bombshells to Craig Jex’s scripts. It can be a delicate process, and sometimes it’s hard to tell a writer that what they’ve written doesn’t quite work. It comes down to not just respecting each other’s particular skill, but also respecting the fact that sometimes an objective eye on something can really help to make something better.

5 reasons to buy Rock In Purgatory

Not got a copy of Rock In Purgatory yet? Are you mad?! Here’s five clickbait reasons to put your money where your mouth is…

More than just a comic
Rock In Purgatory is presented as a parody music magazine. So alongside the awesome comic strips, you’ll get a poster pull out section, fake ads for tours and instrument endorsements, articles about the bands who have influenced the strips and behind the scenes pieces that show how the art came together.

It sets up for Heads! my new comic project
Heads! begins on 29 May and one of the primary story arcs revolves around a band called Vortex Face. This band’s first appearance features in Rock In Purgatory and serves as a prequel to the events they instigate in Heads! Get yourself ahead of the curve by buying Rock In Purgatory.

Loads of never before published comic strips
Though it ran as strip in Popcorn Horror magazine for over a year, this collection brings all the published strips together with loads of others that have never been seen before. Discover awesome new bands who meet incredible and outrageous deaths!

Supporting comic creators makes you cool
Subjective, I guess, but I’ll certainly think you ar e a lot cooler if you buy my comic…

It’s the most fun you can have without going to a metal gig
Rock In Purgatory combines heavy metal music, horror movie gore and comic book sequential art. If you love any or all of those genres then you are bound to find something in this collection to amuse and entertain you.

So what are you waiting for – go buy a copy now!

Rock In Purgatory available to order!

Get over to my store and order your copy of Rock In Purgatory right now!

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A long last, the print edition of Rock In Purgatory can be yours. The comic is being finalised with the printers, ready for shipping in May. As well as the 48 page full colour print edition of the comic, you can buy bundles including exclusive art prints and awesome badges too.

I’m really excited to finally have this comic in print format and am looking forward to getting copies out to everyone who loves Rock In Purgatory as much as I do. I will soon be booking onto comic events for later in the year, so stay tuned for news on where you can meet me.

Buy the comic now – or read some free samples to try before you buy.

Unfortunate Tales – new horror webcomic

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Love VHS horror and unpleasant comics? Then you need Unfortunate Tales From Planet B in your life!

Written by awesome awkward writer Ken Wynne and illustrated by yours truly, Unfortunat Tales is a new horror webcomic published on the Attack From Planet B website. Riffing off of classic horror movies and sub-genres, this fortnightly strip will be providing your horror comics fix from now on.

Presented online, Unfortunate Tales utilises the traditional three panel newspaper strip format and slaps it in your webcomic loving face. Make sure you check out the first edition now.

Follow me on Twitter for updates and be sure to follow Ken Wynne and Attack From Planet B as well.

Radvent Day 23 – Yesterday’s Screws

Radvent Day 20 – Sweaty Suzy

Radvent Day 16 – Peekaboo!